Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Master of the Legend of St. Lucy
De liefdadigheid van de H. Nicolaas als jongeman.

ID: 92884

Master of the Legend of St. Lucy De liefdadigheid van de H. Nicolaas als jongeman.
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Master of the Legend of St. Lucy De liefdadigheid van de H. Nicolaas als jongeman.


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Master of the Legend of St. Lucy

(fl. 1480-1510) was an unidentified Early Netherlandish painter who worked in Bruges, now a city in Belgium. His name comes from for an altarpiece in the church of Saint James in Bruges, which is dated 1480 and depicts three scenes from the life of Saint Lucy. Since then, twenty-five to thirty-five paintings have been attributed to the same hand. He may have trained Spanish students at his studio in Bruges. Many of them are characterized by views of the city of Bruges in the background, and can be dated according to the level of construction of its belfry. He may have trained with Dieric Bouts, and was certainly influenced by Bruges' greatest artist at the time, Hans Memling.   Related Paintings of Master of the Legend of St. Lucy :. | Lamentation | De liefdadigheid van de H. Nicolaas als jongeman. | St Nicholas Altarpiece | Lamentation | St Veronica with the Sudarium |
Related Artists:
Louis Moritz
painted Portrait of Jonas Daniël Meijer (1780-1834), jurist. in 1800-1834
John Thomas Baines
(John) Thomas Baines (27 November 1820 - 8 May 1875) was an English artist and explorer of British colonial southern Africa and Australia. Born in King's Lynn, Norfolk, Baines was apprenticed to a coach painter at an early age. When he was 22 he left England for South Africa aboard the "Olivia" (captained by a family friend William Roome) and worked for a while in Cape Town as a scenic and portrait artist, and as official war artist during the so-called Eighth Frontier War for the British Army.
HOOCH, Pieter de
Dutch Baroque Era Painter, 1629-1684 Dutch painter. He was one of the most accomplished 17th-century Dutch genre painters, excelling in the depiction of highly ordered interiors with domestic themes and merry companies and pioneering the depiction of genre scenes set in a sunlit courtyard. The hallmarks of his art are an unequalled responsiveness to subtle effects of daylight, and views to adjoining spaces, either through a doorway or a window,






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